
Years ago, when I was trying to learn guitar—classical and jazz—with an outstanding teacher on the West Coast of America, we started talking about the music we liked. Not just the usual pop and rock of the time—Van Halen, Foreigner, Earth, Wind & Fire, and all those disco acts—but what really spoke to us.
I told him I loved classical music, in particular Elizabethan, Baroque, Romantic. I mentioned composers like Tchaikovsky and Prokofiev. He said he liked almost everything. He had a degree in music and could play classical pieces on both piano and guitar. But there was one thing he admitted: he didn’t care much for opera—he just couldn’t understand it. Not just that they were in Italian, etc, but that what was the point (or something like that).
I could relate. Opera always seemed like endless shouting, as if everything were a Wagner production. It made no sense to me. Even in musicals, you’d have spoken parts alongside singing, which felt more natural. But that was beside the point. It existed and was not going to change.
So when we decided to see La Bohème last month at the Theatre Royal in Glasgow, I treated it like an excursion—a field trip. I wasn’t expecting to enjoy it.
Boy was I completely wrong.

Over the last decade or so, I’ve come to appreciate some of the old operas, especially Italian ones like Puccini’s. They feel written for enjoyment, for ordinary people, full of memorable tunes. And when I went to the performance, that’s exactly what I found.
I was fascinated by the audience also. Every type of person was there: Black, White, Asian, Chinese, disabled, old, young, students, middle class, working class. I’ve been to hundreds of concerts, but I’ve never seen such a mix. It felt almost like a cult type of thing. And in addition, the two main roles were played by Asian singers.
And although opera is hardly in the charts, a survey last year is also in tune to my feelings. According to the Laidlaw Opera Short Report – Google Docs;
The Laidlaw Opera Short Report from January 2024 conducted by Public First found that 42% of the UK public has never met an opera fan, but 41% would like to go to an opera at least once in their life. The report also highlighted that cost is the main barrier to opera attendance, with 49% of the public saying that the cost being lower would make it more likely for them to attend an opera.
And when you delve deeper, the report says it’s the young who seem to have more time for opera nowadays?! If you have time (I didn’t even know these type of reports existed!), please go in the link and read it; it’s fascinating.
Back to the performance of La Bohème, there were parts of the opera I understood well and parts I didn’t. But I definitely recognized a couple of melodies that I’d heard on Classic FM.
It was a wonderful experience—and something I plan to enjoy again in the future.












































































































































